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  • Length

    14 tracks

Costello's original intent with Trust was to cross the melody of Armed Forces with the rhythm of Get Happy!! The songs on the album dealt with a general sense of disenchantment he felt during the time, with the recent election of the Conservative government as well as tensions within his first marriage, which gave them an overall cynical tone. As a result, the general lyrical content of the songs describe a world that is essentially the opposite of what the album title implies. Earlier working titles were "Cats and Dogs" and "More Songs About Fucking and Fighting".

The initial recording sessions were held at DJM Studios in London, but they were displeased with the results. It did not help that the bandmates were almost constantly under the influence of mood-altering drugs. As Costello wrote in the liner notes of the Rhino reissue:

“ This was easily the most drug-influenced record of my career… It was completed close to a self-induced nervous collapse on a diet of rough 'scrumpy' cider, gin and tonic, various powders… and, in the final hours, Seconal and Johnnie Walker Black Label. ”
Recording resumed at Eden Studios, where previous albums had been done. Although the band was no more sober, the resulting tracks were more to Costello's liking. Despite having previously expressed a desire to distance himself from the pop music mainstream, Costello revealed that a number of songs on the album were influenced by other contemporary artists. Specifically, "Clubland" incorporated the guitar style of The Police, "You'll Never Be A Man" borrowed from The Pretenders, "White Knuckles" was modelled on XTC records, and "Fish 'n' Chip Paper" was an homage to Squeeze. Lastly, "Big Sister's Clothes" had a bass line based on work by The Clash.

Commercially, none of the singles on Trust entered the British top 40, the first time this had happened since My Aim Is True, his debut album. "Clubland" was a minor chart hit at # 60.

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