Following “Resolution Square”, a song that seems to create a crescendo into focus, like someone waking up, “G.S.K” erupts to unveil this dystopian world the listener was brought into with a ultra-sensory cacophonous wall of horns and chromatic guitar movements on top of a droning minor bass lick. The visual of a pharmaceutical building (GlaxoSmithKline, G.S.K) as the center of the city populated by businessmen adds to this world ruled by medically prescribed opioid drugs and capitalistic struggles to find shelter and food. OJ: "I started writing the lyrics when I was on a Megab… read more
Following “Resolution Square”, a song that seems to create a crescendo into focus, like someone waking up, “G.S.K” erupts to unveil this dystopian wo… read more
Following “Resolution Square”, a song that seems to create a crescendo into focus, like someone waking up, “G.S.K” erupts to unveil this dystopian world the listener was brought into wit… read more
Formed while at university in Brighton, the five-piece – Ollie Judge (vocals, drums), Louis Borlase (vocals, guitar), Anton Pearson (guitar), Laurie Nankivell (bass), and Arthur Leadbetter (keys) – played their first gig after replying to an advert for a "young person's jazz night." Quickly putting a set list together, their idiosyncratic mix of half-yelped, half-sung vocals, jerky, angular guitars, brass blasts, and droney synth lines caught the ears of the U.K.'s underground scene with gigs following across the South-East with regular trips to Londo… read more