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    4:59

She discussed the production of the song in an interview:

“I’m really into doom metal and those kind of gothy basslines, but Charles came in on ‘The Hunger’ with all that hi-tempo bass and I realised with all the sad chords I like it really took it up to a new level that I hadn’t explored before. It wasn’t even necessarily about creating ‘80s music, but more about the attitude and the fun of collaborating.

“I’ve always loved those fuzzy synths and gothy aspects, but they’ve been across all the Bat For Lashes albums, and this one was more about the beats and the basslines. It’s just another facet of me.”

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