Wiki
-
Release Date
1 January 2014
-
Length
15 tracks
The spine-tingling magic of Lana Del Rey’s Ultraviolence lies in the album’s striking, seudden contrasts—moments, as on “West Coast”, when Del Rey’s cool detachment wells up into a wail of emotional anguish. Recorded at Dan Auerbach’s Easy Eye Sound in Nashville and produced by Auerbach himself, Ultraviolence is an assertive follow-up to Del Rey’s 2012 breakthrough, Born to Die. Musing on dark themes—the corruption of power, money, and of course, violence—Del Rey offers a hypnotic set of darkly tempered songs. The achingly beautiful title track is a poignant example of her stylist prowess, as are the doleful “Brooklyn Baby” and the disarming and cinematic “Shades of Cool.”
Album descriptions on Last.fm are editable by everyone. Feel free to contribute!
All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.