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lyramsr
First impression: eh. Tremors was already quite minimalist, but this takes that minimalism to the next level. There's no real equivalent of the somewhat louder and more climactic standouts on Tremors (Bloodflows, Artifice), and the extensive vocal sampling (Tempest, The Wheel), one of my favourite aspects of SOHN's music, is pretty much gone. Sure, there are a few highlights on here, and a few songs take surprisingly great turns near the end which save them from being boring, but while SOHN seems to have found a style to call his own, and although he has certainly grown as a producer, he seems to have lost some of the magic that made his debut special.
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