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Biography

  • Years Active

    1952 – present (72 years)

  • Founded In

    Chicago, Cook County, Illinois, United States

  • Members

    • Ahmed Abdullah (1975 – 1997)
    • Akh Tal Ebah (1969 – 1977)
    • Ali Hassan (1962 – 1968)
    • Art Jenkins (1960 – 2012)
    • Ayé Aton (1972 – 1976)
    • Charles Davis (1955 – present)
    • Clifford Jarvis (1960 – 1983)
    • Dale Williams
    • Damon Choice
    • Danny Davis
    • Danny Ray Thompson (1967 – present)
    • David Young
    • Don Mumford
    • Duke Edwards
    • Earl "Buster" Smith (1986 – 1995)
    • Eloe Omoe (1970 – 1989)
    • Elson Nascimento (1987 – present)
    • Everett Turner (1958 – 1959)
    • Gene Easton
    • George Burton
    • Harry Spencer
    • Hatty Randolph (1957 – 1958)
    • Hayes Burnett (1976 – 1982)
    • James Jacson (1963 – 1997)
    • Jim Herndon
    • John Gilmore (1953 – 1995)
    • John Goldsmith
    • June Tyson (1970 – 1992)
    • Kelan Phil Cohran
    • Larry Northington
    • Lucious Randolph (1957 – 1960)
    • Luqman Ali (1961 – 2007)
    • Marshall Allen (1958 – present)
    • Michael Ray (1978 – present)
    • Nimrod Hunt (1966 – 1971)
    • Pat Patrick (1954 – 1989)
    • Reggie Fields
    • Richard Williams (1977 – 1981)
    • Robert Barry
    • Robert Cummings (1963 – 1971)
    • Robert Underwood (1972 – 1976)
    • Rollo Radford (1982 – 1992)
    • Ronnie Boykins (1958 – 1974)
    • Samarai Celestial
    • Sun Ra
    • Tyrone Hill (1979 – 2007)
    • Vincent Chancey (1976 – present)
    • Wayne Harris

The Sun Ra Arkestra is the name most commonly used for the current incarnation of Sun Ra's original band, now led by Marshall Allen.

Since 1954, Marshall Allen has been the ferocious core of the Arkestra. Under his direction, big band and swing are played to perfection and beyond. A master of both "inside" and "out," Allen steers the Arkestra to realize possibilities of future and past, always extending both, ever in cahoots with the alter-destiny. From “Medicine for a Nightmare” and “El Is a Sound of Joy” to “Astro Black” and “Enlightenment,” Arkestra performances are a ritual experiment.

Fifteen members strong, the Arkestra's big-band traditionalism is as radical today as their afro-futurist iconoclasm has been since the 1950s. Sun Ra brought early synthesizers to big band arrangements, took to the stage in processions of sparkling dancers, and explained with patient confidence that he, and perhaps we, were neither human nor Earthbound.

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