Zeuhl (Pronunciation: d͡zøːl) means celestial in Kobaïan, the constructed language created by Christian Vander. Originally solely applied to the music of Vander's band, Magma, the term zeuhl was eventually used to describe the similar music produced by French bands, beginning in the mid-1970s. Although primarily a French phenomenon, zeuhl has influenced the recent avant-garde Japanese band Ruins, Koenjihyakkei and others.

Zeuhl typically blends progressive rock, symphonic rock, fusion, neoclassicism, aspects of rock in opposition and vocal elements of African-American spirituals and Western military call and response. Common aspects include dissonance, marching themes, throbbing bass, keyboards including piano, Rhodes piano, or organ, and brass instruments.